![]() ![]() First, we’ll use an envelope to modulate the wavetable position. We’ll do a couple of things to achieve this. These bells are much too static and need some evolution. In the AMP2 section, pull the decay down to about 40%, the sustain to 0, and increase the release to about 55%. ![]() One last part for this step the output of filter 2 goes to the input of amp 2, so let’s shape the amp envelope a bit. Now set filter 2 to high pass and put the cutoff at about 12 o’clock. Now we’re hearing both filters in series. Let’s hit the small s next to the word “FILTER2” to solo filter 2’s output. Now as it is, both filter 1 and filter 2 are passing audio to the main outputs. Activating this routes the output of filter 1 to the input of filter 2. We’ll click the word FILT1 in the small menu next to the cutoff and resonance knobs. Then we’ll move over to the right side of the interface in the section labelled Filter 2. Filter 1 will be a low pass filter, shaving off some aggressive high-end, and filter 2 will be a high pass filter, pulling out a lot of extraneous bass.įilter 1 is already set up as a low pass by default, so all we have to do is boost the resonance to about 10 o’clock and pull the cutoff down to about 2 o’clock and we’ll have what we need there. We’re going to take a few steps to set filter 1 and filter 2 up in series. ![]()
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